The numerals 64 46 BMW can be used to denote a variety of things. It might be a phone number, the make and model of an automobile, or even a license plate number. The production sequence number for the BMW E3 sedan is “6446,” according to the digits when it comes to BMW particularly. This was the very first BMW automobile ever produced and sold. The E3 model can still be spotted on the road today even though it was created in the 1960s. Looking at the numbers 64 46 BMW makes it clearer that they are not a phone number or even a license plate number, but rather the manufacturing order for a very well-known automaker that still operates today.
The fact that the number “64” begins with a B indicates that it was created in 1966. The following two digits, 46, are just the vehicle’s sequential number. Munich and West Germany are represented by the letters m and w, respectively. BMW was founded primarily in Germany, and Bavaria is where its corporate headquarters are. The final four digits of the number, “6446,” are only the order in which this car was produced. This particular car was number 64, while the first six models to leave the production line were given the numbers 20 to 25.
54-46 It’s my number.
A song written by Fred “Toots” Hibbert and performed by Toots and the Maytals was first made available on the Pyramid label in the UK and the Beverley’s label in Jamaica. “54-46 Was My Number,” a follow-up single that was released a year later, was one of the first reggae songs to become widely popular outside of Jamaica and is regarded as one of the genre’s defining tunes. It has been included in numerous reggae anthologies, and several of them have the phrase “54-46” in their titles.
The lyrics speak of Toots’ experience in jail following his marijuana possession arrest. The song uses a riddim that is reminiscent of The Ethiopians’ “Train to Skaville,” which was recorded by Toots and the Maytals’ predecessors.
Songfacts(r):
Toots and the Maytals’ “Bam Bam” won Jamaica’s National Popular Song Contest in 1966; however, everything was put on hold when Fred “Toots” Hibbert was falsely detained on suspicion of smoking ganja. This song by Toots was inspired by his incarceration.
During his time in prison, Toots’ prisoner identification number was 54-46; he recorded the song shortly after his release. He discussed it with Uncut magazine in 2020:
“I never used marijuana back then. I never act in such a way. I had just graduated from high school when I won the inaugural Jamaican Independence Festival Popular Song Competition with the song “Bam Bam.” Out of jealousy, many accused me of using drugs. Chris Blackwell was one of the people I had the opportunity to meet, and following the festival I was set to embark on my first tour of Europe when some sort of musical politics entered the picture. They were powerless to do anything other than what they did because they lacked compassion for me. Politics was at play. I never enter a prison.
They take me to a special location where I have all the amenities of home, including my guitar, my clothes, and my meals from home.
They get to prevent me from succeeding. It’s a lengthy tale. What then did I do? My song about it is here. I still need to eat the enemies who committed the crime. There were three of them. I won’t name names, but I believe they are all dead at this point. They worked in the music business, or something along those lines. But they are in good hands with me.”
The song, which debuted on January 1st, 1968, became a massive reggae hit in Jamaica. It uses a riddim sample from the song “Train to Skaville” by The Ethiopians, who were Toots and the Maytals’ contemporaries.
“54-46 Was My Number,” a follow-up single that was released a year later, was one of the first reggae songs to become well-known outside of Jamaica. Later, in their 1973 global album In the Dark, Toots and the Maytals featured that song.
Joe Strummer pays homage to this song by singing “54-46 was my number, right now someone else has that number” in the song’s last refrain on The Clash’s “Jail Guitar Doors” from 1978. Later, “Pressure Drop” by the Maytals was covered by The Clash.
The bassline of this song served as the inspiration for Rebel MC and Double Trouble’s 1989 UK #3 hit, “Street Tuff.”